FAQ

FREQUENTLY ASKED QUESTIONS

Optical Blending uses physical masking techniques to provide managed fading of multiple partially-overlapped projected images so that their images are blended together to form a larger, continuous, image.

In principle any large-format projectors may be supported, depending on lens selection primarily. Chronos has been successfully implemented on WUXGA, WQXGA and 4K single-chip DLP, WUXGA and 4K 3-chip DLP and 4K LCOS projectors, including lamp, laser-phosphor and LED illuminated models. We continually adapt to projector technologies as they evolve and develop.

It can be applied to most projection configurations:

o Simple single-level arrays
o Complex multi-level arrays
o Domes and partial domes
o Front & rear projection
o Collimated displays

There is a marginal impact on brightness. Chronos Glass blending plates have an optical transmission of ~92%, so the ~8% loss should be allowed for when calculating display performance. There is no impact on display resolution in the unblended regions.

There is a slight blurring effect within the blend regions.

GBvi’s blending algorithms have been specifically developed to minimise this effect while still providing high-quality blends.

We have no set maximum. To date Chronos has been successfully implemented on dome displays with up to 13 channels each.

By way of example, we would allow 5 working days to install and set up a 13-channel Chronos blend solution although it has typically taken 2-3 days when working closely with the integrator.

The alignment processes significantly ease the installation and setup efforts, so even higher channel counts can certainly be supported.

Yes. GBvi has extensive projection display design experience and a standard component of our service is to review your display design primarily for compatibility with optical blending.

However, if you would like help with display layout or performance analysis, we would be happy to offer this service.

A set of Chronos Mechanics is comprised of an adjustable rig that positions a glass/film mask at the precise distance in front of the projector.

We recommend the use of Chronos Mechanics, since this serves as a carefully designed solution optimised to fit with Chronos blend masks.

Chronos Mechanics are available in two forms: static, and actuated:

Static: fully adjustable by hand, and once it set up, is left permanently. Requires no further action!

Actuated: motorised (moveable) mask to remove the blend from the light path. A solution optimised for systems which show both light and dark scenes for prolonged periods.

GBvi has invested heavily in developing system design tools, mask pattern algorithms and alignment processes to provide the leading independent optical blending solution, customised to each display design.

This results in high-performance blending, superior to any plain-edge or sawtooth mask solutions that are also used – and it can withstand high light flux without degradation.

Costs vary depending on system complexity. We will have to take into account the number of channels, whether the system is on motion, and whether we are providing display design support for example.

We can provide a proposal upon request.

An overall project timescale is typically 6-8 weeks, depending on the design complexity.

However, with advanced notice and with quick provision of customer design data we can often turn systems around significantly faster.

Yes, of course. Just put the integrator in touch with us and we would be happy to work with them.

GBvi does not offer complete display system solutions and integration; our normal mode of operation is to work with integrators and to develop good working relationships with them.

Very good performance blending can be achieved with electronic (also software) blending, for bright scenes.

However, for darker scenes, the overlap region will quickly become visible as the leakage light from adjacent channels sums together.

While this could be compensated with ‘infill’, where a deliberate grey scale value is added to video signals to try to match this overlap, this significantly degrades the overall system dynamic range, making dark scenes appear washed out and lacking ‘blackness’.

Quality optical blending can completely eliminate this issue, so that dynamic range is optimised and transitions between ‘day’ and ‘night’ scenes do not need to be carefully managed.